Posted on

It’s Never Time To Dance

In the 80s classic movie “Footloose” Kevin Bacon plays a super cool teen who moves to a town where dancing and rock music have been banned and teaches them all to cut-a-rug, much to the constant dismay of John Lithgow’s character Reverend Shaw Moore. Audiences cheer when the Reverend gives in at the end and dances at the prom for the first time in years, but that’s where the movie lost me. Much like “Black Panther” is currently being hailed for the fact that it is offering under-represented minorities a chance at on-screen representation, up until that point Rev Shaw Moore had been my T’Challa. Until the moment he gave in and danced, he had been the only character I had seen on film whose open loathing for dancing matched my own.

I simply can’t see the attraction to it. I don’t understand why we as a society feel the urge to move rhythmically to music at almost every special occasion (this is one area where funerals absolutely crush the opposition). Don’t get me wrong, I love music. I like listening to it, and having it on in the background, I just don’t understand the bit where we stand up and sway, gyrate or jerk ourselves around in a predetermined area in time to it. Some people say it’s fun, I say it’s sweaty. And perhaps the last thing I understand is watching other people do it.

Maybe this makes me a troglodyte, but I don’t get what drives us as a species to cavort, let alone pay money to see others prance around. Ballet is quaint, the music is nice, but unless Natalie Portman is artistically stabbing herself before doing it, I have zero inclination to go to watch it – even for free. The fact that women will literally disfigure their bodies and starve themselves for years in order to do it is beyond mystifying. Perhaps in the days before the internet, and “the advertising industry” the dances provided some modicum of titillation? After all the outfits are so tight one of the main ballets is called the “Nutcracker suit” (suite whatever). These days we don’t need it. And we definitely don’t need contemporary upgrades. Most forms of modern dance look like a seizure, and I won’t pay for that, though ironically I may be tempted into paying to watch someone have an actual seizure. “Ah but look at the tango it’s so sexy!” I hear fans cry. It isn’t. It’s two oily, elderly people dry-humping. If I want to see that I will go to the pub.

Dancing is without a doubt the absolute worst of all the arts. If you are a professional dancer, then please stop. You are only wasting our time, and yours.

Perhaps the lowest example of this art form is the dancing reality TV show. Unfathomably in their hundredth season each “Strictly Come Dancing” and “Dancing With The Stars” are like watching the same Youtube video of Larry from accounts getting carried away at an office Christmas party for hours on end. The draw card is supposed to be the celebrities, but MNET’s latest “Dancing With The Stars” has so few recognisable faces they should have called it “Dancing with people”. The line-up includes a former Miss SA, three people who used to be in national sports teams, and a genuine track star’s mother. Look I am all for public humiliation as a TV concept, but dancing? Couldn’t we just throw rocks at Frank Opperman in a town square and call it a day?

I know what many of you are thinking now. Of course I don’t get it. I am a middle-aged grumpy white man, and exactly the kind of person kids have to teach to be happy again with their choreographed dancing in the streets, but that’s where you are wrong. Unlike all those other middle-aged grumpy white men from the movies, I will never surrender. You will never warm my cold heart, I will never dance for the first time in years at your prom. I am the Bane to your Batman of boogie, and you never see Bane dance – unless he is super drunk with a tie around his head.

Posted on

The One Thing Johannesburg Urgently Needs

After ten years of Jacob Zuma in charge and an economy that has decayed faster than the Protea’s one day batting skills, we finally have a new president. Cyril Ramaphosa is now tasked with not only undoing the damage of the predecessor, but also with setting the country on the right footing towards becoming a true global powerhouse. While his advisers have clearly got most aspects of this rejuvenation covered I would argue that there is one element he is totally forgetting – an abstract quality that defines every great country in the world, and one which South Africa finds itself sadly lacking in. While we as South Africans can happily state we are among the leaders of the world in political influence, resources, cuisine, history, culture and jaw dropping scenery, the one thing that this country has always been missing is a giant monster attack.

Anyone who pays attention to world history must know that all of the great countries have at some point, had their finest cities pillaged by some form of massive beast. New York was besieged by King Kong and The Beast from 20 000 fathoms. London has been beset by “Gorgo”. Tokyo has been ripped apart by “Godzilla” so many times, it has become a running joke. “Hong Kong” witnessed the fury of “The Peking Man” (Ironic now I know). “Ymir” destroyed Rome. Los Angeles, saw its end at the hands of “Them”. The documentaries “Colossal” and “The Host”, go into graphic detail on just two of the beasts that have curb-stomped Seoul. Bangkok got “Garuda” and even relatively insignificant Copenhagen was attacked by “Reptilicus”. To date the most horrifying movie monster this country has experienced is “Mr Bones“. How can Johannesburg call itself a “World Class African City” if it remains unscathed by massive beasts?

Johannesburg has two large problems when it comes to becoming a feast for a Kaiju. The first is that naturally it is lacking the skyline of those other more frequently attacked cities, while the second is its position as an in-land city. As such it has no easy monster spawning sites. Any monster that arises from the depths of an, as yet unknown, sea-trench would head straight for the easier, if totally unappetising snacks of Cape Town, Durban, or even, Port Elizabeth. Cape Town’s Clifton beach, Sea-point, and town centre, are begging to be ravaged, however the city provides nowhere at all for the beast to climb during the epic finale. It’s difficult enough to get a lost Spaniard off Table Mountain, let alone fight a 300 metre radioactive monster there.

Johannesburg does have the facilities. The glittering office towers of central Sandton provide a prime location for a monster of that magnitude, complete with taxi-drivers, who, for various reasons, are already running, and screaming in the streets. What more classic monster movie setting could we ask for, than for some mammoth beast to be clinging to the top of The Michaelangelo Tower swatting at a herd of social-media drones?

But where would this animal come from, and how would we lure it there in the first place? Certainly the few remaining mine-dumps, and their low level radiations, and poisons, do provide a birthing spot fit for a creature of that calibre, but the squat Tuscan-style complexes that surround the city like nervous policemen, aren’t exactly satisfying as monster fodder. What’s to stop our monster, who has spent aeons sleeping below the The Western Deep Level Mine, and finally burst to the surface, from simply turning around and going back into hibernation?

I think the mandate for Cyril and his team is clear: If we want our country to thrive, its most iconic city needs to do everything it can to lure a giant monster to the heart of Sandton, and capture that moment on film. What greater way could South Africa announce its presence on the world scene than by developing a series of glittering skyscrapers along all its major arterial routes, awakening some ancient horror and luring it to the business district, then letting it smash it all to pieces?

Apart from launching our country to the very head of the African economic table, this act would also have the added benefit of tearing down all the over-rated, terribly designed, glass monstrosities that are already in place in Sandton, and allow us to rebuild a CBD where neighbouring buildings take the appearance of the building next to them, and the lives of the people who live, and work in the city, into account. Right now Sandton looks like it was pieced together, by an angry, and uncaring ape with a CAD system, and a hammer, and I for one can think of no better way to fix this problem than to knock it all down.

Posted on

Potty Training and The ANC

Waiting for the ANC to make a decision regarding Jacob Zuma is much like potty-training a toddler. You spend ages patiently watching a process you are mildly disgusted by, while the object of your attention vacillates wildly between whether or not he will just go. At least I think it is. My son is 19 months old now, and unlike Jacob Zuma, looking ever more like he wants to take charge of his own exits.

Judging by the TV adverts for Pampers in which a teenager can be seen toddling off into the garden in his own, “New, stretchier big boy nappies for kids between the ages of 12 and 15”, the nappy companies would like nothing more than for me to put these thoughts of potty-training out of my mind. Increasingly parents are being encouraged to leave teaching their kids about toilets until they have graduated, but I am not so sure I want that.

Reports suggest that in this modern, bustling world, the essential art of taking a poo, not in your pants, is being left more, and more, to nursery school teachers, and this is a mistake. Nursery schools are rarely anything other than a normal backyard, if it was painted by a disgruntled clown and dotted with instruments of toddler death, watched over by four ladies who have made a few terrible life choices. Expecting these already harassed individuals to take care of your child’s rear-end education is putting horror cream on an already overly-sweet anxiety cake. There is absolutely no way these people can be expected to have the necessary patience to guide your infant through one of the phases Freud suggested was most likely to leave a psychological stain.

Recently I met a woman at a party who does not have children. She very wittily suggested that toddlers must be dumber than dogs cause you can potty train a dog in just a few days. Sure Marion*, but the toddler would probably learn a lot quicker too if you were allowed to literally rub their noses in their mistakes. Marion is a nursery school teacher.

And with that we are back to Zuma, the toddler, who is unwilling to realise that people are sick and tired of his shitting all over the place. Jacob, if you wanted to exit without humiliation you would have done it a lot sooner. Now we have to hand you over to the nursery school teachers and they may just rub your nose in it.

 

*Not her name. I can’t remember her real name. I didn’t care to.

Posted on

Death and the Middle Ages

At 37 I would most likely have been dead had I been born in the Middle Ages. At the very least my teeth would have rotted out, and I would have been immobile, smelling quite bad under a fur rug in a dark hovel I still shared with my wife, nine children, their children, eight dogs (all unfathomably called Lucy) and a sack of last autumn’s wheat. These days that was just the age at which I had my first child. I am told 37 is not unaccountably ancient to be spawning, but I am still sure that this relatively late age will either keep me young or make me very old, incredibly fast.

As a result I am now more aware of my health than at any point before. If my child is as tardy as I have been, I will have to make it to 74 just to see my grandson, and a near impossible 148 if I want to drool in the face of my great-great-grandson. Despite this, finding the inspiration to drop a few kilograms has been hard. Seventy-four seems so far away, and no one is saying I am not going to make it there if, instead of exercising, I sit on the couch and eat a loaf of bread in the dark.

There is one thing that could help though. When my son was born we put up a photo of him fresh from the womb, and probably feeling more than a little put out, onto Facebook where we told the world the date of his birth, his length and crucially his weight. Every year we celebrate the increasing years, and grandma’s doorway will eventually attest to his increasing height, but nowhere do we record ongoing weight for posterity. Why bother writing down the weight in the first place, if you have zero intention of mapping just how fat a person was each year, and most importantly at the moment of death?

As someone whose deeds are highly unlikely to go down in history, a gravestone that captured beginning and end weight would possibly provide the inspiration I need to let myself go a little less. Either that or give a hint as to why I died so young. And as with babies, relatives could gather around your freshly deceased, and naked corpse to capture pictures, gather likes on Facebook, and compare the state of you, with the ruin your other relatives made of themselves in life. Maybe if we did this it would galvanise us into looking after ourselves a little better, but more likely it would only make the indignity of a smelly, immobile death under a rug, in a dark hovel seem appealing. At least you could eat bread under there.

Posted on

I Am A Victim

Me at a function of some kind

Recently Social media took to mocking former Bafana Bafana stalwart Mark Fish after he shared a picture he thought was him with Hugh Masekela, and was instead Sipho “Hotstix” Mabuse. Much hilarity ensued as the entire country briefly forgot the fact that Zuma is still president (and that the amazing Hugh Masekela had died) and shared pictures of random people who looked loosely like, or shared a characteristic with, another celebrity. #MarkFishChallenge

I was at University when I was first accused of being Hollywood actor William H Macy. Mr Macy had recently been absolutely killing it in the movies with roles in Fargo, and something in which he played a fake superhero The Shoveller, so his face was pretty well known and inevitably some wit at my student job declared me to be his doppelgänger. I was flabbergasted. Mr Macy is a great actor, but he is also about as attractive as Donald Trump bending down to take his pants off. I, a debonair sophisticate, beloved by men and women alike, couldn’t possibly share a passing resemblance with this man, who in another age may have earned his coppers being paraded from town to town in a cage for the peasants to gawp at.

Since then others have remarked at our similarity, terrifyingly more often as I get older – and probably look more like Frank, his character in Shameless. It’s something I would like to pretend I am used to, and so when Mark Fish made his monumental Twitter cock up, I posted a picture of myself claiming a likeness to a man I hadn’t previously noticed was in fact a Hollywood heartthrob. That tweet was largely ignored – and I had specifically chosen a photo in which I thought I looked particularly Macyesque (E-Macy-ated?). Perhaps I don’t look that much like him after all?

The thought was just as sad as discovering I had looked like him in the first place. I realised with a sinking feeling that my retirement plan had been to claim to be him to gain entrance to funerals, and weddings, before shovelling free buffet in my sack.

Anyway I guess what I am saying is that Hugh Masekela is dead, and before now nobody knew that I was the main victim of that.